Uri Dushy was born in 1963 in Tel-Aviv (Israel).
Over the past decades Uri Dushy has been investigating the origins of art. In his personal, non-compromising way, he insists upon joining and creating within artistic genres unprecedented to him, provocatively challenging, mastering and adopting technical professional production processes.
Complete Biography Uri Dushy
Uri Dushy was born in 1963 in Tel-Aviv (Israel).
Over the past decades Uri Dushy has been investigating the origins of art. In his personal, non-compromising way, he insists upon joining and creating within artistic genres unprecedented to him, provocatively challenging, mastering and adopting technical professional production processes. There is a considerable amount of daring – at times bordering on the naive – in the manner by which Uri Dushy copes with the nearly impossible challenges he undertakes. Perhaps in this course of his lies the key to understanding his success in the field of Israeli public art and the international exhibition establishments frequented by his works over the last decades.
Genuine and profound love of the creation process along with true inspiration from both classic and current artwork characterize Uri Dushy’s works. Uri Dushy appreciates beauty and aesthetics, believing that it is his professional responsibility to contribute to their existence in the world. He creates a dialogue with his audience, while capturing them and enabling them to take part in the creative experience.
Uri Dushy’s sculptures consist of five main series, presented in this site along with his photo collage and paintings works. The first and main series includes the public sculptures permanently positioned across cities and parks in Israel. Uri Dushy’s work does not confine itself to the limits of his private studio, but rather exits into the public realm – into open sites frequented by bypassers and members of the community who are not necessarily familiar with museums and galleries.
His magnificent public art works are colorful, positive, understandable and intended for the eyes of all people, thus contributing to their positive outlook. It can be said that the works reflect a positive inspiration sent from the artist to his audience, which returns the positive energy that contributes to the continuity of the artist’s creation.
Projects that included the urban landscape sculptures took place in over a dozen cities across Israel, among which are Ashkelon, Holon, Petach-Tikva, Jerusalem, Rishon Le Zion, Ra’anana and more.
The second series is that of the unique wall sculptures consisting of two- dimensional clusters of figures in animated order that creates an impressive movement.The animation-like movement, which advances along the sculpture’s space, presents a narrative image situated in different urban environments.
The third series includes the small sized interior metal sculptures. Each figure is represented as a two-dimensional silhouette situated in its own sculptural environment, a base of stone or a variety of other materials, upon which it plays out its role in the narrative.
The three dimensional bronze sculptures make up the fourth series. The added dimension enriches the figures with nuances which don’t exist in the two-dimensional works. There is an element of freshness in the altered use he makes of the daily and realistic symbols he chooses.
The virtual sculpture project, “Status”, presents the fifth series which includes 2 meter high mixed media figures that expose their extreme emotional states while conducting a dialogue with classical sculpting theories.
Uri Dushy’s photo collage works have created a new artistic language. Combining details of various segments of urban reality within the framework of one picture enables to refer to specific places and events with which Dushy becomes acquainted.
Parallel to his Israeli career, Uri Dushy exhibited in one-man exhibitions around the world and participated in numerous group exhibitions and international art projects.
The House of Fornara
En 1964 Fornara Gallery abre sus puertas con el objetivo de promocionar jóvenes talentos y artistas ya consagrados. Desde entonces la galería no ha cesado en su búsqueda de artistas emergentes de gran capacidad pictórica, introduciéndolos en el panorama internacional.
Fornara Gallery consigue que el arte sea accesible para un gran numero de coleccionistas, ofreciendo una inversión en belleza para el futuro.
In 1964, Fornara Gallery opens its doors with the aim to promote young talents and artists already enshrined. Since then the gallery has not ceased in its search for emerging artists of great pictorial capacity, introducing them on the international scene.
Fornara Gallery makes art accessible to a large number of collectors, offering an investment in beauty for the future.
Nel 1964 Fornara Gallery inizia l’attivita’ in Italia con L’obbiettivo di promuovere giovani talenti, ed artisti gia’ affermati. Da allora la galleria non ha cessato nella ricerca di giovani artisti emergenti con grande capacita’ tecnica, inserendoli nel panorama artistico internazionale.
Fornara Gallery contribuisce a fare in modo che l’arte sia accessibile ad un gran numero di collezionisti, offrendo loro un investimento in bellezza per il futuro.
En 1964, la galerie Fornara ouvre ses portes dans le but de promouvoir les jeunes talents et les artistes confirmés. Depuis, la galerie n’a cessé de rechercher des artistes émergents à grande capacité picturale, les faisant découvrir la scène internationale. Fornara Gallery rend l’art accessible à un grand nombre de collectionneurs, offrant un investissement dans la beauté pour l’avenir.
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